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Photography --- Photography, Artistic --- Visual communication --- Photographie --- Photographie artistique --- Communication visuelle --- Philosophy --- Periodicals --- Periodicals. --- Social aspects --- Philosophie --- Périodiques --- Aspect social --- visual communication --- photography --- film --- television --- Photography, Artistic. --- Visual communication. --- Philosophy. --- Social aspects. --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Mass communications

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Over a handful of closely analysed case studies, spanning from 1847 to the present, this book explores not what photography has done for sculpture, as others have done, but what sculpture has done for photography in providing a model to conceptualize it as an art of mechanical reproduction.

While there is a growing body of work examining how photography has contributed to the development of a Western "sculptural imagination" by disseminating works, facilitating the investigation of the medium, or changing sculptural aesthetics, this study focuses on how sculpture has provided not only beautiful and convenient subject matter for photographs, or commercial and cultural opportunities for photographers in the market for art reproductions, but also an exemplar for thinking about photography as a medium based on mechanical means of production.

Rooted in an understanding of the practical, social and aesthetic implications of photographic as well as sculptural technologies, this volume demonstrates how photographs of sculpture are particularly useful in revealing how photography's changing materialities shape the meaning of images as they are made, circulated, looked at, written about, and handled at different historical moments.

Sculpture --- Photography --- sculpture [visual works] --- daguerreotypes [photographs] --- calotypes [negatives] --- photographic techniques --- beeldhouwkunst --- fotografie --- Powers, Hiram --- Ball, Barry X --- Monti, Raffaele --- Steichen, Edward --- Mendieta, Ana --- Photography of sculpture --- History --- Photography of sculpture - History --- History.

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Gain skills in illustration and logo manipulation that will enhance your designs and make them more appealing--either in your portfolio or for your client's next graphic project. As Adobe's Photoshop and Illustrator have evolved, new and unique features have been added to these programs that offer different options for warping and distorting graphics and shapes. For the beginner and intermediate student or graphic artist, choosing or knowing which distort or warp tool to use among so many available can become overwhelming and confusing. This book primarily focuses on teaching how to work with various warping tools and effect filters in Illustrator, though you will also be using or comparing graphics from Adobe Photoshop. Knowing how to work between these two applications is a crucial part of understanding how to successfully manipulate your designs. In Illustrator, you'll see how to alter vector graphics, and learn how to do this with your Layers panel in various non-destructive ways. Some of the tools mentioned in this book will be familiar to you, as you may have used them frequently. However, others are well hidden, are new, or perhaps you have never considered that you could use that tool, dialog box, or filter effect to warp or distort. What You Will Learn Become proficient in using the warping and distorting tools and effects in Illustrator Discover how to add perspective to your design or make them look three dimensional Work with the Appearance panel, Graphic Styles, and Symbols Combine older tools and newer, enhanced ones Who This Book Is For Beginner- and Intermediate-level readers interested in pursuing careers as graphic artists, photographers, or video artists/animators.

Artificial intelligence. Robotics. Simulation. Graphics --- grafische vormgeving --- Computer graphics. --- Photography --- Digital techniques. --- Adobe Photoshop.

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"Oud worden en sterven is vandaag een brandend actueel thema en op veel manieren ook een taboe. Ik wil heel graag heel oud worden en zonder angst kunnen sterven. Hoe doet de wereld dat? Op die vraag probeer ik antwoor­den te vinden." - Lieve BlancquaertElke seconde sterven er twee mensen en voor ieder mens heeft doodgaan een andere betekenis, is er een ander verhaal. Last Days is het derde en laatste deel van Lieve Blancquaerts drieluik over de grote momenten uit een mensenleven. In Birth Day en Wedding Day onderzocht ze hoe we onze kinderen verwelkomen en hoe we liefhebben. Met het laatste deel maakt ze de cirkel rond en vertelt ze hoe de wereld afscheid neemt, aan de hand van prach­tige beelden en ontroerende verhalen uit verschillende culturen en godsdien­sten. Meer nog dan een boek over sterven is Last Days een ode aan het leven. Boek bij de gelijknamige reportage­reeks, die vanaf september 2018 zal worden uitgezonden op VRT en VPRO.Bron: https://www.exhibitionsinternational.be/documents/catalog/9789492677587.xml

418.7 --- burials --- documentary photography --- dood --- Photography --- Blancquaert, Lieve --- Photography, Artistic --- Funeral rites and ceremonies --- 906.1 --- 761.2 fotografen afzonderlijk --- portretfotografie --- reportagefotografie (documentaire fotografie) --- sterven --- cultuursociologie --- Funerals --- Mortuary ceremonies --- Obsequies --- Manners and customs --- Rites and ceremonies --- Burial --- Cremation --- Dead --- Mourning customs --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- geboorte, huwelijk, dood --- Geschiedenis, --- Aesthetics --- Blancquaert, Lieve. --- #gsdbQ821.BE.OUD --- Philosophical anthropology --- Filosofische antropologie --- Fotografie --- documentaire fotografie --- begrafenissen --- Ouderen --- Rouwen --- Verliesverwerking --- Cultuurverschillen --- Afscheid nemen --- Culturele antropologie --- Sterven --- Foto's --- Cryomation --- Geschiedenis, geboorte, huwelijk, dood --- Oudere --- Cultuurverschil --- Foto --- Gemeenschap --- School --- Buurt

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Authenticity is a highly-prized concept on social media, but given the history of the term, has it been adequately scrutinised? This book provides an alternative definition of authentic social media practice and suggests that, rather than being an achievable ideal, authenticity reveals itself as an unrepeatable temporary interval. Applying a post-structural lens of performativity, Taylor analyses the resurgence of the authentic as a cultural trend and argues that the professionalisation of social media has given rise to a 'neoliberal authentic' that equates productivity with self-actualisation, questioning whether society should present this as a cultural ideal. Using a new critical framework, Taylor recontextualises authenticity in a variety of social media practices. This includes authentic self-representation, authentic influence and its effect in influencer culture, as well as meme production as an attempt to find authenticity. Part-reader, part-manifesto, the book asks readers to reappraise authenticity and provides a working definition for future practice. Dr. Allan S. Taylor is Associate Professor of Media Production at De Montfort University, where he is Head of Subject in the Leicester Media School for Video, Imaging and Sonic Arts. His research interests span media, performance and visual culture, and his previously published work encompasses gender identity and drag, performance and performativity in visual culture, as well as the new performativities of social media.

Philosophy and psychology of culture --- Engineering sciences. Technology --- Mass communications --- Photography --- sociale media --- cultuur --- fotografie --- technologie --- Authenticity (Philosophy) in mass media.